At left are the aux 1 send and pan knob of mixer channel 1 in Propellerhead Reason.Ĥ) Within the delay’s parameters, slowly adjust the delay time starting from 8ms through 35ms. Both the send/auxiliary bus knob, and the pan knob can be found on the mixer channel strip. Next, send some of the instrument track’s signal into the delay unit via a send/auxiliary bus that is assigned to the delay’s input. If, like us, you’re using Propellerhead Reason, you can achieve the same thing by using the DD1’s pan knob.ģ) Take the mono instrument track that needs enhancement and hard pan it opposite of your delay’s pan. Pan the mono delay return either hard left or hard right in your mix. Using Propellerhead Reason, we selected the classic DD1 digital delay effect, routing it automatically to the first channel by right-clicking on the mixer and selecting “Create>DD1 Digital Delay.” The delay name displays automatically under the first return.Ģ) Within the delay effect’s parameters, turn down all feedback and regeneration under the delay’s feedback control section. Make sure the return of the delay effect is routed to a new mono channel on your mixer.
Ever come across instruments that sound narrow, bland, or just plain uninspiring? If you’ve determined that timbre, rhythm or performance isn’t the problem, then what’s left? Why does it still sound flat? If the recording is in mono, that could be your problem, and how many times have you recorded a guitar or voice through a single mic input? There’s no simpler, quicker way to widen your mix than by enhancing mono instrument tracks using simple, yet powerful delay techniques:ġ) Using the effects section of your mixing hardware or software, choose & load a mono delay effect.
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